![]() ![]() It’s a precise illusion if any aspect falls a little flat it can completely pop the balloon. When reduced to its basest form my view has always been that cinema’s core equation consists of screenplay, visuals and sound performing a precise and delicate exchange, with the result being media that tricks your brain into extreme states of being. Throughout the film Philip Glass’s fantastic compositions refract from the imagery like slivers of light from an oil slick, and it is only fair to give him equal credit in the final product, as it would be just a novelty without his elevations. ![]() Like most works of ‘pure cinema’ it is a film of montages and camera-work – specifically, of time-lapse photography and ponderous tracking shots across enormous objects and places. Godfrey Reggio’s Koyaanisqatsi: Life out of Balance is a film with no characters, dialogue, or traditional narrative.
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